{"id":2455,"date":"2025-10-28T16:41:20","date_gmt":"2025-10-28T14:41:20","guid":{"rendered":"https:\/\/archiviocrepax.testsuite.it\/?page_id=2455"},"modified":"2025-10-31T16:38:55","modified_gmt":"2025-10-31T14:38:55","slug":"about-us-archivio-crepax","status":"publish","type":"page","link":"https:\/\/archiviocrepax.testsuite.it\/en\/about-us-archivio-crepax\/","title":{"rendered":"Archivio Crepax"},"content":{"rendered":"\n\t<section class=\"section\" id=\"section_565888897\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row row-collapse\" style=\"max-width:90%\" id=\"row-420328726\">\n\n\t<div id=\"col-968622011\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n  <div id=\"page-header-1187517027\" class=\"page-header-wrapper\">\n  <div class=\"page-title bg-white border-none py-0 light normal-title\">\n\n    \n    <div class=\"page-title-inner container align-center flex-row medium-flex-wrap row-reverse\" >\n            <div class=\"title-content flex-col flex-left text-left medium-text-center\">\n        <div class=\"title-breadcrumbs pb-half pt-half\"><nav class=\"woocommerce-breadcrumb breadcrumbs \">Home<\/nav><\/div>      <\/div>\n    <\/div>\n\n       <\/div>\n    <\/div>\n  \n\t<div id=\"text-1479062535\" class=\"text\">\n\t\t\n<h1 style=\"text-align: center;\"><strong>Archivio<\/strong> Crepax<\/h1>\n\t\t\n<style>\n#text-1479062535 {\n  font-size: 3.45rem;\n  text-align: center;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-968622011 > .col-inner {\n  padding: 20px 15px 15px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n<div class=\"row row-collapse row-full-width\"  id=\"row-711981797\">\n\n\t<div id=\"col-2037184200\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n  <div class=\"banner has-hover\" id=\"banner-117232904\">\n          <div class=\"banner-inner fill\">\n        <div class=\"banner-bg fill\" >\n            <img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1150\" src=\"https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Header_about_us_Archivio.jpg\" class=\"bg attachment-original size-original\" alt=\"\" \/>                                    \n                    <\/div>\n\t\t\n        <div class=\"banner-layers container\">\n            <div class=\"fill banner-link\"><\/div>            \n   <div id=\"text-box-970523456\" class=\"text-box banner-layer x50 md-x50 lg-x50 y50 md-y50 lg-y50 res-text\">\n                                <div class=\"text-box-content text dark\">\n              \n              <div class=\"text-inner text-center\">\n                  \n              <\/div>\n           <\/div>\n                            \n<style>\n#text-box-970523456 {\n  width: 60%;\n}\n#text-box-970523456 .text-box-content {\n  font-size: 100%;\n}\n<\/style>\n    <\/div>\n \n        <\/div>\n      <\/div>\n\n            \n<style>\n#banner-117232904 {\n  padding-top: 45%;\n}\n<\/style>\n  <\/div>\n\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_565888897 {\n  padding-top: 0px;\n  padding-bottom: 0px;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section about-us archivio-crepax\" id=\"section_1180313753\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"is-divider divider clearfix\" style=\"max-width:0px;height:10rem;\"><\/div>\n<div class=\"row\"  id=\"row-1349974890\">\n\n\t<div id=\"col-2135029158\" class=\"col padding-square small-bg-gray small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-1156949913\" class=\"text text-align-center\">\n\t\t\n<p>Founded by the heirs of Guido Crepax following the artist\u2019s passing (Milan, 31 July 2003),\u00a0<strong>Archivio Crepax<\/strong>\u00a0safeguards, manages and promotes the rich body of images and ideas born from the creator of\u00a0<em>Valentina<\/em>. Bringing together expertise in design, communication and set design, his children \u2014 Antonio, Caterina and Giacomo \u2014 have embraced and carried forward their father\u2019s cultural legacy.<\/p>\n<p>Exhibitions and events, new editions in Italy and abroad, design objects, licensing activities and a variety of other projects are all developed in full respect of the original work \u2014 a testament to the enduring relevance and inventive spirit of the artist\u2019s creations.<\/p>\n\t\t\n<style>\n#text-1156949913 {\n  font-size: 1.7rem;\n  line-height: 1.3;\n  text-align: center;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-2135029158 > .col-inner {\n  padding: 0rem 0px 0rem 0px;\n}\n@media (min-width:550px) {\n  #col-2135029158 > .col-inner {\n    padding: 2rem 0px 3rem 0px;\n  }\n}\n@media (min-width:850px) {\n  #col-2135029158 > .col-inner {\n    padding: 5rem 0px 6rem 0px;\n  }\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:0px;height:7rem;\"><\/div>\n<div class=\"row\"  id=\"row-389237553\">\n\n\t<div id=\"col-62250354\" class=\"col medium-12 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1689241099\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"690\" src=\"https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Antonio-1-1182x800.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Antonio-1-1182x800.jpg 1182w, https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Antonio-1-591x400.jpg 591w, https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Antonio-1-768x520.jpg 768w, https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Antonio-1-600x406.jpg 600w, https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Antonio-1.jpg 1330w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1689241099 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-991927921\" class=\"col hide-for-medium medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(243, 243, 243);\" >\n\t\t\t\n\t\t\t\n\t<div id=\"text-1265961099\" class=\"text text-align-center\">\n\t\t\n<h2 style=\"text-align: center;\"><strong>Antonio<\/strong> Crepax, <strong>writer<\/strong><\/h2>\n<p>Born in Milan on 1 November 1961, I graduated in Law in 1986 with a dissertation in <em>Clinical Criminology<\/em> on <em>Judicial Psychiatric Hospitals<\/em>. Disappointed by the results of the judiciary entrance exam, I decided to change direction and devote myself to what I did best: writing.\u00a0<\/p>\n\t\t\n<style>\n#text-1265961099 {\n  font-size: 1.7rem;\n  line-height: 1.6;\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-744510551\" class=\"col padding-square hide-for-medium small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-4109639424\" class=\"text text-align-center\">\n\t\t\n<p>Between 1990 and 2010, I worked as a journalist for several publications and gained extensive experience in the field of communication and public relations (Weber Shandwick, Edelman and Euro RSCG groups), as a copywriter and communications consultant specialising in crisis management, litigation PR, communication strategies, and the drafting of texts in the fields of environment, energy, services, finance and consumer goods. As a freelancer, I have also worked as a web content author, ghostwriter, and lecturer at the Sole 24 Ore Business School.<\/p>\n<p>Since 2003, following the death of our father, Guido Crepax, I have also been involved in managing his artistic legacy \u2014 devising exhibitions and digital projects, and overseeing licensing and book editions in Italy and abroad. Since 2010, I have been carrying out this work full-time with my sister Caterina and my brother Giacomo, with whom I co-founded the company\u00a0<em>Archivio Crepax<\/em>, where I serve as President. Drawing on my background and previous experience, I handle all legal aspects and the editorial content of our activities: the writing and structure of books, the conception and development of exhibitions and events, as well as the complex management of relationships with our partners and collaborators.<\/p>\n\t\t\n<style>\n#text-4109639424 {\n  font-size: 1.7rem;\n  line-height: 1.6;\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1060448100\" class=\"col padding-square show-for-medium small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-2156132809\" class=\"text text-align-center\">\n\t\t\n<h2 style=\"text-align: center;\"><strong>Antonio<\/strong> Crepax, <br class=\"d-sm-none\" \/><strong>writer<\/strong><\/h2>\n<p>Born in Milan on 1 November 1961, I graduated in Law in 1986 with a dissertation in <em>Clinical Criminology<\/em> on <em>Judicial Psychiatric Hospitals<\/em>. Disappointed by the results of the judiciary entrance exam, I decided to change direction and devote myself to what I did best: writing. Between 1990 and 2010, I worked as a journalist for several publications and gained extensive experience in the field of communication and public relations (Weber Shandwick, Edelman and Euro RSCG groups), as a copywriter and communications consultant specialising in crisis management, litigation PR, communication strategies, and the drafting of texts in the fields of environment, energy, services, finance and consumer goods. As a freelancer, I have also worked as a web content author, ghostwriter, and lecturer at the Sole 24 Ore Business School.<\/p>\n<p>Since 2003, following the death of our father, Guido Crepax, I have also been involved in managing his artistic legacy \u2014 devising exhibitions and digital projects, and overseeing licensing and book editions in Italy and abroad. Since 2010, I have been carrying out this work full-time with my sister Caterina and my brother Giacomo, with whom I co-founded the company\u00a0<em>Archivio Crepax<\/em>, where I serve as President. Drawing on my background and previous experience, I handle all legal aspects and the editorial content of our activities: the writing and structure of books, the conception and development of exhibitions and events, as well as the complex management of relationships with our partners and collaborators.<\/p>\n\t\t\n<style>\n#text-2156132809 {\n  font-size: 1.7rem;\n  line-height: 1.6;\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:0px;height:7rem;\"><\/div>\n<div class=\"row\"  id=\"row-1477077616\">\n\n\t<div id=\"col-1018869764\" class=\"col medium-12 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1290643878\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Caterina-1400x788.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Caterina-1400x788.jpg 1400w, https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Caterina-711x400.jpg 711w, https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Caterina-768x432.jpg 768w, https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Caterina-1536x864.jpg 1536w, https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Caterina-600x338.jpg 600w, https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Caterina.jpg 1600w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1290643878 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1296851804\" class=\"col hide-for-medium medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(243, 243, 243);\" >\n\t\t\t\n\t\t\t\n\t<div id=\"text-3831039887\" class=\"text text-align-center\">\n\t\t\n<h2 style=\"text-align: center;\"><strong>Caterina<\/strong> Crepax, <strong>paper <\/strong>artist<\/h2>\n<p style=\"text-align: left;\">Born in Milan on 26 February 1964, after completing classical studies I graduated in Architecture from the Polytechnic University of Milan in 1989, with a thesis in Architectural Design. I immediately began working with architects Marco Comolli and Giovanna Poli, designing interiors and bespoke furnishings for Italian and international clients for over fifteen years.<\/p>\n\t\t\n<style>\n#text-3831039887 {\n  font-size: 1.7rem;\n  line-height: 1.3;\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1544068778\" class=\"col padding-square hide-for-medium small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-1289604336\" class=\"text text-align-center\">\n\t\t\n<p>At the same time, I collaborated with creative director Gherardo Frassa on more scenographic projects \u2014 large-scale wall installations, silhouettes and pop-inspired inventions \u2014 created to enhance the spectacular nature of exhibitions and events. Together with him, I curated the first exhibitions dedicated to our father\u2019s comics.<\/p>\n<p>In 1995, I made my debut as a paper artist when designer Nicola Gallizia commissioned me to create paper garments for Molteni at the Salone Internazionale del Mobile. Since then, this has become my principal artistic pursuit, thanks to my distinctive way of sculpting paper. Today, many companies, fashion designers, and both public and private institutions commission me to design dreamlike events and fashion shows where paper \u2014 even the most ordinary kind \u2014 is transformed into a precious, fabric-like material.<\/p>\n<p>Among my most prestigious collaborations are\u00a0<em>Roberto Cavalli, Fendi, Valentino, S<\/em><em>\u00e3<\/em><em>o Paulo Fashion Week, Patek Philippe<\/em>\u00a0and\u00a0<em>Turisanda<\/em>. My works have also been exhibited at\u00a0<em>Homo Faber, Triennale Milano<\/em>\u00a0and the\u00a0<em>Museo della Scala<\/em>. I have always delighted in inventing ways to bring my father\u2019s comics into three dimensions \u2014 from miniature paper theatres to dioramas created for exhibitions.<\/p>\n<p>Within\u00a0<em>Archivio Crepax<\/em>, which I co-founded with my brothers and where I serve as Vice President, I am primarily responsible for managing and developing the immense visual heritage left to us by our father,\u00a0<em>Guido Crepax<\/em>. My work involves the careful selection of thousands of drawings to create new book editions, exhibition scenographies, and to apply the imagery to objects of design and merchandising.<\/p>\n\t\t\n<style>\n#text-1289604336 {\n  font-size: 1.7rem;\n  line-height: 1.3;\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1980980268\" class=\"col padding-square show-for-medium small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-1540881380\" class=\"text text-align-center\">\n\t\t\n<h2 style=\"text-align: center;\"><strong>Caterina<\/strong> Crepax, <br class=\"d-sm-none\" \/><strong>paper <\/strong>artist<\/h2>\n<p>Born in Milan on 26 February 1964, after completing classical studies I graduated in Architecture from the Polytechnic University of Milan in 1989, with a thesis in Architectural Design. I immediately began working with architects Marco Comolli and Giovanna Poli, designing interiors and bespoke furnishings for Italian and international clients for over fifteen years.<\/p>\n<p>At the same time, I collaborated with creative director Gherardo Frassa on more scenographic projects \u2014 large-scale wall installations, silhouettes and pop-inspired inventions \u2014 created to enhance the spectacular nature of exhibitions and events. Together with him, I curated the first exhibitions dedicated to our father\u2019s comics.<\/p>\n<p>In 1995, I made my debut as a paper artist when designer Nicola Gallizia commissioned me to create paper garments for Molteni at the Salone Internazionale del Mobile. Since then, this has become my principal artistic pursuit, thanks to my distinctive way of sculpting paper. Today, many companies, fashion designers, and both public and private institutions commission me to design dreamlike events and fashion shows where paper \u2014 even the most ordinary kind \u2014 is transformed into a precious, fabric-like material.<\/p>\n<p>Among my most prestigious collaborations are\u00a0<em>Roberto Cavalli, Fendi, Valentino, S<\/em><em>\u00e3<\/em><em>o Paulo Fashion Week, Patek Philippe<\/em>\u00a0and\u00a0<em>Turisanda<\/em>. My works have also been exhibited at\u00a0<em>Homo Faber, Triennale Milano<\/em>\u00a0and the\u00a0<em>Museo della Scala<\/em>. I have always delighted in inventing ways to bring my father\u2019s comics into three dimensions \u2014 from miniature paper theatres to dioramas created for exhibitions.<\/p>\n<p>Within\u00a0<em>Archivio Crepax<\/em>, which I co-founded with my brothers and where I serve as Vice President, I am primarily responsible for managing and developing the immense visual heritage left to us by our father,\u00a0<em>Guido Crepax<\/em>. My work involves the careful selection of thousands of drawings to create new book editions, exhibition scenographies, and to apply the imagery to objects of design and merchandising.<\/p>\n\t\t\n<style>\n#text-1540881380 {\n  font-size: 1.7rem;\n  line-height: 1.3;\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:0px;height:10rem;\"><\/div>\n<div class=\"row\"  id=\"row-782296971\">\n\n\t<div id=\"col-1722238163\" class=\"col medium-12 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_16714367\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Archivio_Giacomo-1400x788.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Archivio_Giacomo-1400x788.jpg 1400w, https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Archivio_Giacomo-711x400.jpg 711w, https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Archivio_Giacomo-768x432.jpg 768w, https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Archivio_Giacomo-1536x864.jpg 1536w, https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Archivio_Giacomo-600x338.jpg 600w, https:\/\/archiviocrepax.testsuite.it\/wp-content\/uploads\/2025\/10\/Immagini_articolo_Archivio_Giacomo.jpg 1600w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_16714367 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1845831399\" class=\"col hide-for-medium medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\" style=\"background-color:rgb(243, 243, 243);\" >\n\t\t\t\n\t\t\t\n\t<div id=\"text-3709898101\" class=\"text text-align-center\">\n\t\t\n<h2 style=\"text-align: center;\"><strong>Giacomo<\/strong> Crepax, <strong>architect<\/strong><\/h2>\n<p>Born in Milan on 16 April 1970, after graduating from a scientific secondary school, I chose to continue a family tradition by enrolling in the Faculty of Architecture at the Polytechnic University of Milan, specialising in Architectural Design.<\/p>\n\t\t\n<style>\n#text-3709898101 {\n  font-size: 1.7rem;\n  line-height: 1.3;\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1470197692\" class=\"col padding-square hide-for-medium small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-3769580311\" class=\"text text-align-center\">\n\t\t\n<p>My degree thesis focused on the conversion of the San Vittore prison, anticipating my enduring interest in the transformation of places with a strong symbolic identity.<\/p>\n<p>My career began in the mid-1990s with a long and formative collaboration with architect Stefano Valabrega, during which I specialised in the redevelopment of industrial areas. Over those years, I developed a deep interest in industrial design and in the use of materials such as iron and concrete \u2014 elements that continue to define my architectural language today.<\/p>\n<p>In 2016, together with Valabrega, I co-signed the project for the\u00a0<em>Giardino dei Giusti<\/em>\u00a0in Milan \u2014 a symbolic intervention that marked the beginning of a new phase in my professional journey.<\/p>\n<p>In the following years, I established a stable partnership with\u00a0<em>Studio Gilardoni Fontana<\/em>, sharing a design vision grounded in the balance between contemporary architecture, historical memory, and the urban context. Together, we have developed projects of international and institutional scope, including the\u00a0<em>United Nations Pavilion<\/em>\u00a0for the International Exhibition \u201cInequalities\u201d at\u00a0<em>Triennale Milano<\/em>\u00a0(2025), co-signed with architect Giulia Fontana.<\/p>\n<p>In parallel, I direct\u00a0<em>Archivio Crepax<\/em>\u00a0with my siblings \u2014 an institution dedicated to preserving and promoting the work of our father,\u00a0<em>Guido Crepax<\/em>. Within this context, I oversee the design of exhibitions and installations, exploring an exhibition language that blends space, art, and visual storytelling.<\/p>\n\t\t\n<style>\n#text-3769580311 {\n  font-size: 1.7rem;\n  line-height: 1.3;\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1943725822\" class=\"col padding-square show-for-medium small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-990685717\" class=\"text text-align-center\">\n\t\t\n<h2 style=\"text-align: center;\"><strong>Giacomo<\/strong> Crepax, <strong>architect<\/strong><\/h2>\n<p>Born in Milan on 16 April 1970, after graduating from a scientific secondary school, I chose to continue a family tradition by enrolling in the Faculty of Architecture at the Polytechnic University of Milan, specialising in Architectural Design. My degree thesis focused on the conversion of the San Vittore prison, anticipating my enduring interest in the transformation of places with a strong symbolic identity.<\/p>\n<p>My career began in the mid-1990s with a long and formative collaboration with architect Stefano Valabrega, during which I specialised in the redevelopment of industrial areas. Over those years, I developed a deep interest in industrial design and in the use of materials such as iron and concrete \u2014 elements that continue to define my architectural language today.<\/p>\n<p>In 2016, together with Valabrega, I co-signed the project for the\u00a0<em>Giardino dei Giusti<\/em>\u00a0in Milan \u2014 a symbolic intervention that marked the beginning of a new phase in my professional journey.<\/p>\n<p>In the following years, I established a stable partnership with\u00a0<em>Studio Gilardoni Fontana<\/em>, sharing a design vision grounded in the balance between contemporary architecture, historical memory, and the urban context. Together, we have developed projects of international and institutional scope, including the\u00a0<em>United Nations Pavilion<\/em>\u00a0for the International Exhibition \u201cInequalities\u201d at\u00a0<em>Triennale Milano<\/em>\u00a0(2025), co-signed with architect Giulia Fontana.<\/p>\n<p>In parallel, I direct\u00a0<em>Archivio Crepax<\/em>\u00a0with my siblings \u2014 an institution dedicated to preserving and promoting the work of our father,\u00a0<em>Guido Crepax<\/em>. Within this context, I oversee the design of exhibitions and installations, exploring an exhibition language that blends space, art, and visual storytelling.<\/p>\n\t\t\n<style>\n#text-990685717 {\n  font-size: 1.7rem;\n  line-height: 1.3;\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:0px;height:7rem;\"><\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1180313753 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section about-us archivio\" id=\"section_1741173338\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row accordion-row\"  id=\"row-945474822\">\n\n\t<div id=\"col-893642673\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"accordion\">\n\t<div id=\"accordion-3369724579\" class=\"accordion-item\">\n\t\t<a id=\"accordion-3369724579-label\" class=\"accordion-title plain\" href aria-expanded=\"false\" aria-controls=\"accordion-3369724579-content\" >\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\"><\/i><\/button>\n\t\t\t<span>To Learn More: Publishing Projects<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-3369724579-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-3369724579-label\" >\n\t\t\t\n<p><span style=\"font-weight: 400;\">In the publishing field, <\/span><b>Archivio Crepax<\/b><span style=\"font-weight: 400;\"> has curated and continues to oversee numerous editorial projects both in Italy and abroad.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In Italy, several collections of Crepax\u2019s works have been released as supplements to major national newspapers: two pocket series with <\/span><i><span style=\"font-weight: 400;\">la Repubblica<\/span><\/i><span style=\"font-weight: 400;\">; the complete <\/span><i><span style=\"font-weight: 400;\">Valentina<\/span><\/i><span style=\"font-weight: 400;\"> stories in 18 volumes with <\/span><i><span style=\"font-weight: 400;\">Corriere della Sera<\/span><\/i><span style=\"font-weight: 400;\"> (2007); the <\/span><i><span style=\"font-weight: 400;\">Complete Works of Crepax<\/span><\/i><span style=\"font-weight: 400;\">, published by Mondadori in 30 volumes (2015); and a new series of stories \u2014 some coloured by the Archivio \u2014 issued by <\/span><i><span style=\"font-weight: 400;\">la Repubblica<\/span><\/i><span style=\"font-weight: 400;\"> in 20 volumes (2018). Between 2010 and 2012, <\/span><i><span style=\"font-weight: 400;\">The Best of Valentina<\/span><\/i><span style=\"font-weight: 400;\"> was also published by Magazzini Salani in a special edition annotated by Antonio and Luisa Crepax.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Since 2003, eleven public exhibitions of Crepax\u2019s work have been accompanied by as many catalogues dedicated to the artist, several of which were entirely curated by the Archivio. Among the special projects, notable titles include <\/span><i><span style=\"font-weight: 400;\">Bonne Nuit<\/span><\/i><span style=\"font-weight: 400;\"> (2012), a book accompanying a CD of lullabies; <\/span><i><span style=\"font-weight: 400;\">Inedito<\/span><\/i><span style=\"font-weight: 400;\"> (2014), a collection of Crepax\u2019s final illustrated stories; <\/span><i><span style=\"font-weight: 400;\">Viva Valentina<\/span><\/i><span style=\"font-weight: 400;\"> (2015), featuring five short stories drawn by other comic artists; <\/span><i><span style=\"font-weight: 400;\">Valentina Colouring Book<\/span><\/i><span style=\"font-weight: 400;\"> (2016); <\/span><i><span style=\"font-weight: 400;\">Lanterna magica<\/span><\/i><span style=\"font-weight: 400;\"> (2018), a special limited edition published by Skira; and <\/span><i><span style=\"font-weight: 400;\">Crepax a 33 giri<\/span><\/i><span style=\"font-weight: 400;\"> (2020), a catalogue of more than 300 record sleeves designed by the artist.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">After a long period without a reference publisher, in 2024 <\/span><b>Feltrinelli<\/b><span style=\"font-weight: 400;\"> began reissuing Crepax\u2019s works in an elegant <\/span><i><span style=\"font-weight: 400;\">Ultimate Edition<\/span><\/i><span style=\"font-weight: 400;\">, while also launching new adventures of <\/span><i><span style=\"font-weight: 400;\">Valentina<\/span><\/i><span style=\"font-weight: 400;\">, now set in the present day and illustrated by <\/span><b>Sergio Gerasi<\/b><span style=\"font-weight: 400;\">, Comic-book artist and illustrator of several Dylan Dog stories.<\/span><span style=\"font-weight: 400;\"><br \/><\/span><a href=\"https:\/\/www.feltrinellieditore.it\/autori\/crepaxguido\/\"><span style=\"font-weight: 400;\">Feltrinelli \u2014 Guido Crepax<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">On the international scene, Crepax\u2019s comic stories have continued to be published even after his death.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In <\/span><b>France<\/b><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Dargaud<\/span><\/i><span style=\"font-weight: 400;\"> has released four volumes featuring major <\/span><i><span style=\"font-weight: 400;\">Valentina<\/span><\/i><span style=\"font-weight: 400;\"> stories in colour editions curated by Archivio Crepax (<\/span><a href=\"https:\/\/www.dargaud.com\/auteurs\/crepax-guido\"><span style=\"font-weight: 400;\">Dargaud \u2014 Guido Crepax<\/span><\/a><span style=\"font-weight: 400;\">), while <\/span><i><span style=\"font-weight: 400;\">Delcourt<\/span><\/i><span style=\"font-weight: 400;\"> publishes his complete erotic works (<\/span><a href=\"https:\/\/www.editions-delcourt.fr\/auteurs\/crepax-guido\"><span style=\"font-weight: 400;\">Delcourt \u2014 Guido Crepax<\/span><\/a><span style=\"font-weight: 400;\">).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the <\/span><b>United States<\/b><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Fantagraphics<\/span><\/i><span style=\"font-weight: 400;\"> has been publishing since 2015 an acclaimed 12-volume collection of Crepax\u2019s complete works (<\/span><a href=\"https:\/\/www.fantagraphics.com\/collections\/guido-crepax?srsltid=AfmBOop2E3BufR6eJLIxPrt-lu3CW9aCPfWu799FNrT5kxXhjN6altXX\"><span style=\"font-weight: 400;\">Fantagraphics \u2014 Guido Crepax<\/span><\/a><span style=\"font-weight: 400;\">).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In <\/span><b>Brazil<\/b><span style=\"font-weight: 400;\">, following editions by Conrad Editora and L&amp;PM, <\/span><i><span style=\"font-weight: 400;\">Pipoca &amp; Nanquim<\/span><\/i><span style=\"font-weight: 400;\"> is releasing a wide selection of Crepax\u2019s stories in four anthological volumes (<\/span><a href=\"https:\/\/pipocaenanquim.com.br\/autores.html?cat=276\"><span style=\"font-weight: 400;\">Pipoca &amp; Nanquim \u2014 Guido Crepax<\/span><\/a><span style=\"font-weight: 400;\">).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In <\/span><b>Spain<\/b><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Norma Editorial<\/span><\/i><span style=\"font-weight: 400;\"> published <\/span><i><span style=\"font-weight: 400;\">The Best of Valentina<\/span><\/i><span style=\"font-weight: 400;\"> between 2008 and 2015 (<\/span><a href=\"https:\/\/www.normaeditorial.com\/autor\/crepax-guido\"><span style=\"font-weight: 400;\">Norma Editorial \u2014 Guido Crepax<\/span><\/a><span style=\"font-weight: 400;\">).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In <\/span><b>Germany<\/b><span style=\"font-weight: 400;\">, after <\/span><i><span style=\"font-weight: 400;\">Avant Verlag<\/span><\/i><span style=\"font-weight: 400;\"> published <\/span><i><span style=\"font-weight: 400;\">Valentina<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">Bianca<\/span><\/i><span style=\"font-weight: 400;\"> stories, <\/span><i><span style=\"font-weight: 400;\">Splitter Verlag<\/span><\/i><span style=\"font-weight: 400;\"> launched a series devoted to Crepax\u2019s comic adaptations of literary classics (<\/span><a href=\"https:\/\/www.splitter-verlag.de\/autoren-zeichner\/autoren-c\/crepax-guido\/\"><span style=\"font-weight: 400;\">Splitter Verlag \u2014 Guido Crepax<\/span><\/a><span style=\"font-weight: 400;\">).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">His <\/span><i><span style=\"font-weight: 400;\">Story of O<\/span><\/i><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">Histoire d\u2019O<\/span><\/i><span style=\"font-weight: 400;\">) remains his most widely translated book, having reached South Korea in 2016. New editions of Crepax\u2019s stories have also recently been published in countries where his work had never appeared before \u2014 including Serbia, Poland, the Czech Republic and Mexico. In 2025, Danish publisher <\/span><b>Saga Egmont<\/b><span style=\"font-weight: 400;\"> acquired the rights to release part of Crepax\u2019s oeuvre in e-book format.<\/span><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:0px;height:10rem;\"><\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1741173338 {\n  padding-top: 0px;\n  padding-bottom: 0px;\n}\n<\/style>\n\t<\/section>\n\t\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-blank.php","meta":{"footnotes":""},"class_list":["post-2455","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/archiviocrepax.testsuite.it\/en\/wp-json\/wp\/v2\/pages\/2455","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archiviocrepax.testsuite.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archiviocrepax.testsuite.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archiviocrepax.testsuite.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archiviocrepax.testsuite.it\/en\/wp-json\/wp\/v2\/comments?post=2455"}],"version-history":[{"count":11,"href":"https:\/\/archiviocrepax.testsuite.it\/en\/wp-json\/wp\/v2\/pages\/2455\/revisions"}],"predecessor-version":[{"id":2694,"href":"https:\/\/archiviocrepax.testsuite.it\/en\/wp-json\/wp\/v2\/pages\/2455\/revisions\/2694"}],"wp:attachment":[{"href":"https:\/\/archiviocrepax.testsuite.it\/en\/wp-json\/wp\/v2\/media?parent=2455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}